GLR September-October 2024
| POEMS & DEPARTMENTS | 5 |
| CORRESPONDENCE | 5 |
| BTW | 8 |
| POEM — “The Faultline” | 22 |
| ART MEMO — The Front Runner at the Fifty-Year Mark | 25 |
| POEM — “Pearl Bar, Cinco de Mayo.” | 32 |
| POEM — “The Bolognese” | 40 |
| ART MEMO — Discovering Gisèle Freund, Photographer | 41 |
| CULTURAL CALENDAR | 44 |
| FEATURES | 10 |
| The Broken Dandy | 10 |
| “I always had crazy boyfriends.” | 13 |
| Pervert Patient Zero | 16 |
| How Evelyn Hooker Rattled the APA | 20 |
| The Birth of Transgender Science | 23 |
| Secrets & Truths & Claude Schwob | 26 |
| REVIEWS | 29 |
| RuPaul — The House of Hidden Meanings: A Memoir | 29 |
| Cynthia Carr — Candy Darling: Dreamer, Icon, Superstar | 30 |
| Books of poetry by Michael Klein, Christopher Soden, and Tony Leuzzi | 31 |
| Michael Nott — Thom Gunn: A Cool Queer Life | 33 |
| Kenneth Elliott — Beyond Ridiculous | 34 |
| Diarmuid Hester — Nothing Ever Just Disappears | 35 |
| Will Brantley, editor — Conversations with Sarah Schulman | 36 |
| Édouard Louis — Change | 37 |
| Musih Tedji Xaviere — These Letters End inTears | 38 |
| Emily Garside — Seasons of Love: Why Rent Matters | 39 |
| C hukwuebuka Ibeh — Blessings | 39 |
| BRIEFS | 42 |
| Luca Guadagnino, director — Challengers | 45 |
| Zach Meiners, director — Conversion | 46 |
| Four independent films | 47 |
| Jane Schoenbrun, director — I Saw the TV Glow | 49 |
| Brilliant Exiles: American Women in Paris, 1900-1939 (exhibit & catalog) | 50 |
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