GLR March-April 2023

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Académie Julian, where she excelled. In 1884, while still at the Academy, Anna Elizabeth Klumpke exhibited for the first time at the Paris Salon . From then on, her work received praise at many exhibitions, where she was awarded a number of prizes. Her realist style suited the Salon, unlike the style of the Impressionists, who were explod ing elsewhere on the art scene. In 1889, Klumpke was honored with a commission to paint a portrait of Elizabeth Cady Stanton, the famous American suffragist, abolitionist, and leading figure of the early women’s rights movement. Klumpke remained at By and lived with Bonheur for the last two years of the latter’s life. In 1898, her first portrait of Bon heur was finished, showing the artist at her easel wearing men’s clothes. As with Bonheur’s first partner, there was a marked age difference, which they bridged with affection, congruent per sonalities, and their commitment to the arts. The two women signed a formal agreement that cemented their working and professional lives. Bonheur built a studio at By for Klumpke, who agreed to write Bonheur’s biography. By was willed to Klumpke upon Bonheur’s death in 1899, despite considerable opposition from her family. Klumpke was ulti mately buried alongside Bonheur and her first partner, Nathalie Micas, at Père Lachaise Cemetery in Paris. After her death, the house was eventually deeded back to France by her heirs. Bonheur once wrote: “I am a painter. I have earned my liv ing honestly. My private life is nobody’s concern.” At a time when lesbian relationships were viewed as immoral, she cher ished and protected her relationships with women. The current Musée d’Orsay exhibition widens our lens about Rosa Bonheur and reestablishes her place in European art his tory. Bonheur’s artistic work demonstrates incredible technique. Her sheer skill at drawing rural landscapes, people, and above all animals in motion is amazing. Her work still resonates today with current societal issues such as wildlife, ecology, and of course gender equality, which she championed so brilliantly. Her strong will to be herself, to achieve great art in spite of the dominance of men, is all there for us to admire. March–April 2023 Anna Klumpke and Rosa Bonheur at the Chäteau de By, 1898.

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and lesbian people in the Communist Party s personal history of gay Aptheker’ “Bettina

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